А вот и цитаты:
Looking at the body, sorcerers see a counterpart/twin. Where is this
counterpart? For some it is close, but others don't have it. Why? If
this is truly a twin universe, why is this counterpart in Japan? Something
has connived to push it away.
The more disciplined you are, the closer your energy body is to you. The
contact is via your assemblage point. The "dreaming body", or energy body
(they mean the same, but I like to call it energy body; dreaming body
assumes we make it in dreaming, while energy body is more abstract) has an
assemblage point, too. Via dreaming, one can get close to the energy body,
but not via lucid dreaming. The energy body gets closer by practicing
dreaming, or exercising your dreaming attention. Twin universes are not
excluded. We are holders of dualisms. Body and mind is not a dualism to
sorcerers. The body and the energy body is a dualism.
The first art, Dreaming, is the art of using dreams as bona fide gates of
perception. It's the condition of harnessing "dreaming attention", or art
of fixing the attention in dreams on different objects in our dreams,
systematically. It's a disciplined way of reminding that you must look at
objects. Just a glance, staying on objects as long as possible until it
starts to dissolve, then you switch, and repeat, until there is no more
attention left, and you fall asleep.
Something in us records our effort; we get better until we focus attention
on anything we want - 100 objects... Dreams follow the natural movement of
the assemblage point. It moves a great deal, or only slightly. When the
assemblage point moves to "phantom" positions, we experience a regular
dream. One day your assemblage point will be in a key position. By then
you've harnessed your dreaming attention, and can focus on as many objects
as you want. The energy body knows the threshold - how many objects you
need to switch between. Suppose mine is 16 objects. I focus on 16,
afterwhich I am in a different world, providing my assemblage point moved
to one of the 6000 positions. Don't despair. One day it will move to one
of these "meaty" positions. At that point you'll know your threshold.
You'll hear, "16 objects".
There are two choices; one is to explore the human unknown, the positions
within the luminous eggs. The other is the unknowable, which can only be
known partially. This is the realm of the new seers.
The 2nd art, is the art of fixing the assemblage point at the new position.
You've fixed at phantoms enough to have weird dreams. But by the time you
get to the meat, you've become versed enough to know how to fix your
assemblage point there. Then, off you go. The danger is in getting
trapped. You move bodily, permanently. The old seers couldn't get back.
But when travelling outside the egg, the abstract doesn't want you. "You"
do. It's human indulgence which pulls and traps us at points within the
human unknown. The sorcerers of antiquity, although lost, are "in heaven".
Best of possible worlds. But, not for don Juan's mentality. Don Juan's
purpose was total freedom. Freedom is defined as the capacity to let
awareness grow to full length.
The sorcerers of antiquity were still subjected to the flyers' devouring.
[Makes a motion showing they had risen to about chest level, but were not
complete] When you grow fully, it turns to fire; exquisite. Impossible to
conceive.